Romantic Action Comedy Office Scene Seedance 2.0 Prompt

Use exactly 2 uploaded image assets.
image1 = The only and highest priority character identity reference for the adult female lead. Strictly maintain her face, facial proportions, skin tone, hairstyle, body type, age, overall temperament, clothing, and accessories.
image2 = The only and highest priority character identity reference for the adult Korean male lead wearing glasses. Strictly maintain his face, facial proportions, skin tone, hairstyle, glasses, body type, age, overall temperament, clothing, and accessories.

Generate a 30-second, 16:9 widescreen, 4K, 24fps, photorealistic live-action cinematic action-comedy short film. The setting is a high-rise modern penthouse office/luxury apartment space at night, with a city night view outside the floor-to-ceiling glass, and an open living room, corridor, modern furniture, and mixed warm/cool lighting inside. No anime feel, no game CG feel, no cheap special effects, no slow motion, no fake slow motion. Action must be real, fast, clear, and cinematic.

[Premise]
This is a pre-arranged action comedy performance between two adult actors. The overall atmosphere is relaxed, playful, and competitive, not expressing fear, threat, or coercion. Not a life-or-death battle, but a high-energy action comedy where 'the female lead keeps attacking, and the male lead keeps dodging and disrupting the rhythm with playful cheek kisses.'

[Core Relationship]
The female lead is attacking throughout, the male lead almost never truly counterattacks, only constantly dodging, orbiting, closing in, and pulling away. The male lead's main 'scoring method' is not strikes, but using momentary gaps in the action rhythm to suddenly approach, deliver a short, clear, playful cheek kiss, and then immediately pull away. There are 5 cheek kisses in total. Each must be a clear comedic beat. After each kiss, the female lead becomes more annoyed and serious, continuing the pursuit.

[Action Principles]
Female Lead: Continuous forward pressure, using straight punches, hooks, elbows, knees, side kicks, high kicks, roundhouse kicks, spinning attacks, and pursuit pressure. Becomes more serious and fierce as it progresses.
Male Lead: Almost never initiates hits, no real counter-strikes, no heavy grappling. His main movements are: dodging, retreating, sidestepping, ducking, leaning back, sliding, orbiting, parrying attack lines, suddenly closing in, cheek kissing, and immediately pulling away.
The film structure must repeatedly escalate: Female attack -> Male dodge -> Male grabs a short gap for a cheek kiss -> Female gets angrier -> Intense pursuit again. This cycle occurs 5 times.

[Camera Rules]
Action sequences mainly use medium shot, medium-wide, wide, close-up tracking, handheld feel, lateral tracking, and slight breathing shake to clearly show spatial movement.
Before each cheek kiss, the camera follows the action rhythm, capturing the male lead suddenly entering the female lead's personal space.
When each kiss occurs, do not cut suddenly. Use a fast, smooth camera push-in/dolly-in within the same continuous shot: Action medium shot -> Male suddenly approaches -> Camera quickly pushes into a medium close-up/close-up -> Clearly show the short cheek kiss, the male lead's slightly smug expression, and the female lead's momentary shock or annoyance -> Camera naturally pulls back with the movement as they separate to continue the pursuit.
Each kiss lasts about 0.3–0.6 seconds, must be clearly visible, but very short. Do not stop to pose.

[Male Lead Expression and Personality]
The male lead maintains a calm, playful, slightly annoying prankster vibe throughout. He isn't angry and doesn't want to truly overpower the female lead; his fun is dodging her attacks and sneaking in a kiss. After each success, he must show a very short, natural, slightly smug expression: slight smirk, playful eyes saying 'missed me again,' occasionally a slight eyebrow raise. Not creepy, not evil, no exaggerated villainous laughter.
1st: Slightly proud.
2nd: Clearly finding it fun.
3rd: Starting to deliberately provoke.
4th: Still can't help a cheeky smile knowing she's getting angrier.
5th: After the kiss, a clear 'went too far' guilty smile, then immediately runs away.

[Dialogue Rules]
Minimal dialogue throughout. Only the following 4 Korean phrases are allowed; do not add others.
After 1st kiss, Female (short, shocked, annoyed): '야!'
After 2nd kiss, Male (retreating playfully): '또 실패.'
After 4th kiss, Female (gritting teeth, suppressed anger): '너 진짜...'
After 5th kiss, Male (running away, light insincere tone): '미안!'
The 3rd kiss has no dialogue, using only the kiss sound and expressions.

[Timeline]
0–4s: Enter action immediately. Female is already attacking in the living room: straight punches, spinning elbows, middle kicks. Male dodges effortlessly. Close tracking established.
4–6s | 1st Kiss: Female approaches with a punch-kick combo. Male dodges and briefly approaches from a 45-degree side-back angle. Quickly kisses her right cheek. Push-in close-up. Female: '야!' Male retreats smugly.
6–10s: Female gets hotter, tempo increases. Low sweeps, high kicks. Male continues to dodge without counter-attacking.
10–12s | 2nd Kiss: Female's high kick missed by Male's duck. Male enters from the other side. Left cheek kiss. Push-in close-up. Male: '또 실패.' Female charges again.
12–16s: Female attacks more fiercely. Pursuit from living room to glass window to corridor. Male does extreme dodges: leaning back, orbiting, sliding. Feels like he'll be hit if he's a second slower.
16–18s | 3rd Kiss: Male suddenly approaches during Female's turn. Short, dry kiss. No dialogue, just the sound and reaction. Male looks provocative. Female eyes get fiercer.
18–22s: Female rage builds. High kicks, spinning kicks, knees. Male dodges through corridor and furniture. Calmness now has a hint of comedic panic, but he's still skilled.
22–24s | 4th Kiss: Female attack grazes his face; Male uses her momentum to close in for a 4th kiss. Push-in close-up. Male smirks. Female: '너 진짜...' continues attacking before finishing the sentence.
24–27s: Max pursuit mode. Continuous high kicks and spins. Male pushed deep into the corridor, extreme dodging.
27–29s | 5th Kiss: Highest speed defense. Male almost hit but dodges at the last second, returns quickly for the 5th and most annoying kiss. Clear push-in close-up. After the kiss, Male shows a 'went too far' expression...